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With the 2015-2016 theme of ‘Transcultural Asia’ the Center for Asian Studies seeks to promote an interdisciplinary exploration of contemporary and historical transcultural processes in Asia. Transcultural studies proceeds from the premise that culture is not contained within linguistically or ethnically homogenous and territorially bounded spaces, but is rather constituted through the transformations and entanglements that emerge from extended connections and relationships across spaces. While discussions and debates over globalization tend to emphasize the dominance of ‘Western’ culture (for example in the form of entertainment media, material culture, or linguistic hegemony), less often do we focus on other forms of transculturalism beyond ‘the West’. What, then, are the significant forms of transcultural processes within Asia? How have distinctive Asian cultural practices emerged from extended connections across Asian spaces? What have been the dominant processes or forms of transculturalism in Asia historically, and what are they today? Such forms of transculturalism may involve systems of knowledge or religion; visual, media and material cultures; leisure and recreation practices; arts and literary cultures; or even corporate cultures, governance practices, or political philosophies. Through a year of programming, events, and outreach culminating in our annual Spring Symposium, CAS will explore how a focus on Transcultural Asia enriches Asian Studies.
The Center for Asian Studies theme for the 2014-2015 academic year is 'Mediating Asia.' A great deal of our current knowledge about Asia comes to us via traditional media channels (such as print & broadcast journalism, feature films, and documentaries) and, increasingly, via less formal online channels such as blogs and social media networking sites. While Asian scholars based outside of Asia have, for some time, been engaged in critical readings of these ‘mediated’ representations of Asia, the rapid rise of Asian media industries within Asia has resulted in more diffuse representations of Asia than ever before. With ‘Mediating Asia’, the Center for Asian Studies seeks to explore the implications of these increasingly diffuse, multi-mediated representations of Asia. We take a broad definition of media to include not only print, broadcast, film, and internet formats, but also arts and literature, insofar as they might also be viewed as representations of Asia. How does Asia represent itself through Asian media? How is the idea of ‘Asia’ as a coherent identity reimagined and represented through Asian media? What sorts of tensions, dialogues, contradictions, and collaborations exist between Asian and non-Asian media? In what ways do Asian media ‘respond’ to non-Asian representations of Asia? How are different Asian peoples, places, or histories imagined, marketed, consumed through new Asian media channels? ‘Mediating Asia’ will explore questions like this, and many others, in a year of programming, events, and outreach, culminating in our annual Spring Symposium.
The Center for Asian Studies theme for the 2013-2014 academic year is ‘Catastrophic Asia.’ Throughout the academic year, the Center will host a series of events and activities, culminating in the Spring 2014 symposium. The theme seeks to explore Asian vulnerability to, experiences with, and recovery from natural and/or human-induced environmental disasters such as seismic events, extreme climate events, pollution events, and the broader environmental and social challenges presented by a warming planet, including economic, demographic, epidemiological, and political threats.
The Center for Asian Studies also regularly updates our 'Catastrophic Asia' blog, in which we feature relevant events in Asia that can be better understood by looking at them through the lens of its catastrophic nature and therefore through the ways in which they can then be connected to other events in Asia as part of a larger 'Catastrophic Asia.'
For a list of 2013-2014 Catastrophic Asia events, please click here.
The Center for Asian Studies theme for the 2012-2013 academic year was 'Listening to Asia.' In this theme, we explored the idea of Asia as a place of sounds place of sounds and on how we can better understand Asia by actually listening to it. In this series, we featured live performances, film showings, a three-day "Muslim Voices in the Heartland," series, a talk on Iranian women writers, a conference on medieval Chinese poetry, and an analysis of environmental law. This series culminated in our annual interdisciplinary CAS Symposium on March 1, in which we explored the sounds of love and war, the voices of the subaltern and the middle classes, and music and dance from throughout the region. This conference offered lectures and performances from across Asia that drew together and connected what could otherwise seem to be disparate topics and regions into a larger understanding of the idea of Asia as a place to which we should listen.
For a list of 2012-2013 Listening to Asia events, please click here.
This project chronicles the experiences of Muslims as they live and imagine their own Americanness. Here you will find primary research sources on the history of Islam in the six Rocky Mountain states with interviews, podcasts, photos and videos. This website is an online space for Muslim-Americans to speak loudly about their presence and culture in America’s heartland. Begun by a joint CAS-School of Journalism grant, Muslims in the Mountain West seeks to showcase the cultural diversity of Muslim communities in this region by featuring a wide array of identity expressions: men and women, practicing and non-practicing, young and old, converts, artists, and activists.
Academic studies and data surveys in the United States have often focused primarily on Muslims on the East or West coasts or in big metropolitan areas like Chicago or Detroit. This kind of oversight, largely due to the smaller size of the Muslim community in the Rocky Mountains has made Muslims in this area the ultimate invisible minority. This project is the first attempt to trace the presence of Muslims in the American heartland and debunk the exclusionary focus on the East/West model. By profiling a selection of people and places, it will also be a unique opportunity to document the cultural history of Islam in small-town America, an initiative urgently needed at a time when opinion surveys continue to show that in a post 9/11 world most Americans know very little about Islam and that they’ve grown more suspicious of Muslims around them.
Regardless of the size of the Muslim population in this region, we believe the story of Islam in the Mountain West still awaits recounting. Since 9/11, Muslims have been closely scrutinized by government officials, journalists, and scholars, but that scrutiny has systematically ignored Muslims in certain areas. We hope to document the historical evolution of Muslims in the region and illustrate how Muslim identities are complex and not as homogenous as stereotypically portrayed in public discourse. By focusing on a wider selection of Muslims in the region, we hope to showcase how being a Muslim is not strictly a religious category. Muslims speak from a variety of secular and religious vantage points, but it is predominantly their religious behavior and practices that get them the most attention. This narrow approach in dealing with Muslims risks amplifying their differences with the larger society which ultimately sees Muslims exclusively as a distinct religious group and at times as a racial minority as well. The danger in racializing a group like Muslims lies in inflamed assertions of cultural difference, which then triggers a set of stereotypical associations linking Muslims exclusively to ‘crisis’ topics like the veil, arranged marriages, and terrorism. In this sense, our goal is to catalogue the diversity of Muslims in the Mountain West and reveal their struggles and accomplishments as they attempt to carve out a place for themselves within their larger communities.
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